Archives for March 2015
York Region | Lisa Queen:
An extraordinary example of hope, understanding and inclusion happened on Robben Island in South Africa, where political prisoner Lionel Davis was held captive alongside Nelson Mandela in the 1960s before the fall of apartheid.
Despite the isolation and hardships, prisoners of different political persuasions and other prisoners found ways to not only pull together but to pursue their educations.
Despite the isolation and hardships, prisoners of different political persuasions and other prisoners found ways to not only pull together but to pursue their educations…
Read full article via source: http://www.yorkregion.com/whatson-story/5527082–be-the-change-we-want-to-see-in-others-south-african-artist/
Dr. Julie Taylor is aan die stuur van ’n nuwe webtuiste wat op kontemporêre kuns van Suider-Afrika fokus. Rudolf Stehle praat met haar oor die opgang van Afrika-kuns en die potensiaal wat die internet vir plaaslike kunstenaars inhou.
Dr. Julie Taylor van die aanlyn handelsplatvorm. Foto: Cornél Van Heerden
In 2008 toe Zimbabwe polities en ekonomies ’n laagtepunt bereik het, het Julie Taylor haar familie in Harare besoek. Kostekorte en hongersnood was aan die orde van die dag, vertel dié gebore Zimbabwiër wat nou in Johannesburg woon.
Sy het by die enigste gevestigde kontemporêre kunsgalery in die stad gaan inloer en by die kurator van die galery gehoor daar kom elke dag kunstenaars aan wat drie tot vier dae geen kos oor hul lippe gehad het nie…
Lees hele stuk op: http://www.netwerk24.com/vermaak/2015-03-24-internetafrika-kuns
Op die Karoofees kom sestien tentoonstellings rondom die tema My Land, My Land. Laetitia Pople het met Elfriede Dreyer, kurator van die program vir visuele kuns by die fees, gesels.
Vir Elfriede Dreyer is dit belangrik om die visuele program op die Klein Karoo Nasionale Kunstefees so inklusief moontlik te maak.
Elfriede Dreyer is die kurator van die visuelekunsprogram van die KKNK. Langs haar is die beeldhouer Collen Maswanganyi, se beeld Technology at its best, 2005. Foto: Theana Breugem
“Om sodoende ’n werklike blik op kunsproduksie in ons land te kry. Ek wil ook denke, tendense en debatte uitlig en gesprekke ontlont oor wat in ons land en in die wêreld aan die gang is.”
Vanjaar het sy as tema gekies My Land, My Land. Sy beskou dit nie net letterlik oor grond of ander politieke vraagstukke wat tans die gemoedere laat hoog loop nie, maar ook oor eienaarskap, identiteit en behorendheid…
Times Live | Sean O’Toole:
Shortly after veteran auctioneer Stephan Welz recently knocked down the final lot at Strauss & Co’s day-long sale of collectable things at Cape Town’s Vineyard Hotel, senior art specialist Ruarc Peffers walked over to his colleague, Emma Bedford, and high-fived her.
LIGHTEN UP: Ed Young’s ‘Arch’ sold for R852 600. On seeing the sculpture, Archbishop Desmond Tutu said to the artist: ‘I’ll send you bad dreams’. Image by: SUPPLIED
The pair had good reason to be upbeat.
The sale on March 16 grossed South Africa’ s leading auction house R50-million in sales as 84% of the 653 lots found buyers.
A treacly painting of a young Zulu woman wearing a ceremonial crown (isicholo) by Vladimir Tretchikoff fetched the sale’s highest price for a canvas work, selling for R3.1-million (including VAT and commission). But the 1956 painting, originally owned by Canadian mining baron Jack Hammell, was not the biggest ticket work…
Read full article via source: http://www.timeslive.co.za/thetimes/2015/03/24/knocked-down-for-top-prices
SA auction house reaffirms its global supremacy in the South African art market
Prices for high quality South African and international art soared at Strauss & Co’s auction held this week in Cape Town. The sale achieved a total of R50 million and a value sell-through rate of over 84%, once again the highest in the current market, reaffirming Strauss & Co’s position as global leader for South African art. The packed saleroom, a regular feature of Strauss & Co’s evening sales, was marked by competitive bidding and many exciting surprises ensued.
“ J’accuse”, which provides a brilliant dissection of the notorious Dreyfus Affair, by celebrated artist Robert Hodgins, sold for R2 500 960, setting a new world record for the artist. Strauss & Co now holds the top eleven consecutive world records for Hodgins.
The top lot of the sale, “Schmerzensmann III” by Belgian artist Berlinde De Bruyckere, which sold for R 3 410 400, was purchased by a private international collector. The significance of this work is such that it has been requested for the exhibition titled “The Problem of God” at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf later on this year.
Following the fantastic results achieved in November last year by Strauss & Co for works by William Kentridge, “Head”, proved a sale highlight selling for R1 477 840. A popular work by Ed Young of Emeritus Archbishop Tutu swinging from a chandelier sold for R852 600, almost double its presale estimates.
Strauss & Co continues to maintain a consistently high percentage sold rate. Eleven works by the undisputed master of the South African landscape, JH Pierneef, all sold following the success of 2014 when a world record of R11 936 000 was achieved. These include “Wild Pear Tree” which realised R2 046 240. “The Maluti Mountains” realised R1 818 880.
Vladimir Tretichikoff’s sensational “Zulu Maiden” topped the local list selling for R3 183 040. Purchased in 1982 for R 1700, the present value today would be R 27,408 taking into account inflation (8.79% per annum). Monday’s achievement means that the return on this purchase is 185,646%!
A rare early portrait by Wolf Kibel of his son Joseph, sold for an astounding R2 955 680. Strauss & Co has consistently held the world record for Kibel whose rare works are highly sought after by collectors.
Other South African highlights include Alexis Preller’s “Mapogga Wedding” which sold for R1 477 840, Maggie Laubsers “Lake Garda” which sold for R568 400, and Penny Siopis’s “Pine” which sold for R659 344.
After the sale the auctioneer commented:
“The auction proved that great art, well presented, will always achieve great results. Once again, the sale was topped by a broad spectrum of celebrated South African artists both modern and contemporary, thus showing a healthy deepening and broadening of the market – a trend that has yet to take off in London.”
Image: Berlinde De Bruyckere, “Schmerzensmann III”. Sold for R3,410,400.
Satire and freedom of expression will seize centre stage at this year’s National Arts Festival, which runs from Thursday 2 July to Sunday 12 July in Grahamstown in the Eastern Cape.
Responding to social and political debates currently raging in South Africa, the Festival organisers have chosen to highlight the genre of satire in place of the usual “featured artist” category.
Ismail Mahomed announcing the programme at the 2015 NAtional Arts Festival Programme Launch at Liliesleaf Farm. Photo: Darya Maslova
“In taking a strong advocacy and agitating angle, this year’s programme not only honours South Africa’s constitutional right to free speech, but also creates opportunities for South Africans to do what they do best – engage passionately and honestly about life in our country,” explains Ismail Mahomed, the Festival’s Artistic Director.
“The arts need to challenge and provoke,” he says. “South Africa’s satirists, cartoonists, commentators and court jesters need, now more than ever, to be given the opportunity to be the public voice, the conscience, of the nation.”
South Africa’s most acclaimed satirists – Pieter-Dirk Uys, Chester Missing, Loyiso Gola and Iain EWOK Robinson,as well as works such as Tara Notcutt’sThree Blind Mice – will keep South Africans on their toes, challenging audiences while helping us to laugh at ourselves.
Now in its 41st year, the Festival’s Main programme pays homage to some of the country’s most important living and past legends. “This year’s programme aims to take us forward into new, exciting spaces while acknowledging the depth of our roots and our heritage,” Mahomed says.
New voices and talents – especially those created by the Standard Bank Young Artist Awardwinners – will invitethe exploration of fresh creative territories. The inclusion of womenartists – ThokoNdlozi, MaralinVanreenen, MamelaNyamza, BronwenForbay, FaniswaYisa, Patricia Boyer, and NelisiweXaba– also serves to underscore the Festival’s commitment to feature strong and visible women on the programme.
International collaboration is another undisputed priority, Mahomed says. This year’s programme demonstrates a deepening of relationships with countries north of our border, with Botswana (pop band Chasing Jaykb performing on the Fringe) and Zimbabwe (the extraordinary Tumbuka’s dance piecePortrait of Myself as my Father) represented.
On the programme are works and artists from around the globe, including Leslie Lewis in Miracle in Rwanda, the incredible story of Rwanda genocide survivor ImmaculéeIlibagiza; Irish comic and writer Dylan Moran, best known for his sardonic observational comedy (and the BAFTA Award-winning UK television series Black Books); and Dutch electric jazz outfit PAND7090.
The Standard Bank Jazz Festival continues to hold its own as the country’s leading livejazz event, playing home to African jazz greats such as Carlo Mombelli, Pops Mohamed and Dave Reynolds, MandlaMlangeni, Vuma Levin, and former Standard Bank Young Artist Award winner Kesivan Naidoo.International acts include Dutch saxophonist Yuri Honing,New York-based Lionel Loueke, Austrian pianistDavid Helbock, and the violin-piano duoChi-pin Hsieh and Kai-ya Chang from Taiwan.
The contemporary music line-up sizzles with swag, with Ray Phiri in town for a one-night-only solo concert. Beatenburg, Shortstraw, ThandiswaMazwai and MiCasaall feature on the Main programme this year.
Tony Lankester, the Festival’s Chief Executive,says: “Behind the scenes we’re working harder than ever to deliver an event that is slicker and more tech savvy. We’re focused on creating an amazing, hassle-free experience for our festivalgoers. Our other priority is to deepen our relationship with our host city and we are focusedon being a more visible and relevant part of everyday, year-round life in Grahamstown.”
In their efforts to keep growing the Festival as an exciting and innovative platform for South Africa, the organisers add new features to the programme each year.
This year, the Festival will stage a series of productions that pay tribute to one of our country’s legends – the Arts Icon series will celebrate the work of 70-year-old master satirist Pieter Dirk-Uys with the staging of four of his productions: the world premieres of African Times and The Echo of a Noise;as well as his cabaret, Never Too Naked; anda once-only presentation of A Part Hate A Part Love. Three of Uys’s films will feature on the Film Festival: Farce AboutUys; Adapt or Dye; and Skating on Thin Uys, which will be attended by honoured guest Evita Bezhuidenhout.
Another innovationis the Featured Young Curator.This year it’s Johannesburg-based curator LeratoBereng, who works at the Stevenson Gallery. Her hand can be seen in Simon Gush’s show, Red, and also in Standard Bank Young Artist KemangWaLehulere’s showcase,Dreamer Imaginist: History will Break Your Heart.
STANDARD BANK YOUNG ARTISTS:
A keystone of the Festival programme for more than 30 years, this year’s Standard Bank Young Artist Award winners continue to raise the bar of artistic excellence. The Festival provides a showcase for new works by the six artists: choreographer and Vuyani Dance Theatre ArtisticDirector LuyandaSidiya (Dance)presents Siva (7); director, actor and writer Christiaan Olwagen (Theatre), who will present Doll’s House;boundary-breaking artist Athi-PatraRuga(Performance Art), who will present The Elder of Azania; baritone Musa Ngqungwana (Music) and pianist NduduzoMakhathini (Jazz) will both be in concert; and KemangWaLehulere (Visual Art), whose exhibition Dreamer Imaginist: History will Break Your Heart is curated by LeratoBereng.
3 x world premieres:Prolific writer, actor and satirist Pieter-Dirk Uys’s African Timesas well as the Echo of a Noise; and award-winning author and playwright Craig Higginson’s haunting production, The Imagined Land.
3 x South African premieres: Another Great Year for Fishing, an intriguing ode to slowness by and with Flemish actor Tom Struyf and dancer Nelle Hens; Hirsch, the touching tribute to Canadian theatre genius John Hirsch; and Miracle in Rwanda, a one-woman show from the US.
5 x new South African plays: Three Blind Mice, a gritty journey into the heart of South Africa’s judicial and penal systems directed by Tara Notcutt; A Voice I Cannot Silence, a play by 2014 Standard Bank Young Artist Award winner Greg Homannand Ralph Lawson that pays tribute to poet and author Alan Paton; the Dutch-South African collaboration Masote’s Dream, about the life of South Africa’s black classical music legend and composer Michael Masote; YOBO by spoken word activist Iain EWOK Robinson; and Missing, the personal story of satiristConrad Koch told with the help of his more famous associate and free-speech advocate, Chester.
3 x adaptations: Doll’s House, adapted by Standard Bank Young Artist Award winner Christiaan Olwagen from Henrik Ibsen; Woman Alone, adapted by Christo Davids from DanneleneNoach’snovel “Arabian Nightmare”;and I Have Life, the story of rape survivor Alison Botha adapted by MaralinVanrenenfrom the book by Marianne Thamm.
3 x revivals:Born in the RSA, Barney Simon’s classic play brought back to the stage to mark the 20thanniversary of his death is directed by ThokoNtshinga and starsFaniswaYisa and Emily Child;the Brazilian satire Miss Margarida’s Way, performed by Patricia Boyer and directed by Pieter Bosch Botha;and The Cenotaph of Dan WaMoriri,Tony Miyambo’s triumph of collaborative engagement and performance.
And, of course,1x Shakespeare:Fred Abrahamse and Marcel Meyer’s inspired adaption of The Tragedy of Hamlet.
The classical music programme celebrates voice with a delightfully loaded operatic and choral line-up: Standard Bank Young Artist Award winner Musa Ngqungwana in Concert; Romantic Songs of Love; Nocturne; Not Just Another Night at the Opera, the Soweto-based Songs of the Harvest Choir; and War & Peace. A 70th birthday tribute will honour South African composer Peter Klatzow.This year’s Gala and Symphony concerts will be presented by the KwaZulu-Natal Philharmonic Orchestra. The Gala Concert will be under the baton of South Africa’s favourite conductor, Richard Cock.
This year’s dance works don’t shy away from the tough topics: arts funding, demographics and political correctness (The Last Dance / Pointeby MamelaNyamza and NelisiweXaba);community, power and masculinity(Moving Into DanceMophatong’sNgiswize); and human trafficking (MIDM’s Man-Longing).Zimbabwean dance company Tumbuka explores fatherhood and identity in Portrait of Myself as my Father.Cape Town City Ballet will present two works by world-renowned choreographer John Neumeier –Spring and Falland Le Sacre.
Works by Standard Bank Young Artist Award winner KemangWaLehulere, as well as those by ThembaShibase, Keith Dietrich, Jodi Bieber, Monique Pelser and Michael Godby highlight the engagement between artist and contemporary issues – political conflict, race, colonialism, identity, war and terror.
Standard Bank Young Artist Award winner Athi-PatraRugaexpands his fantastical “Future White Women of Azania”series with The Elder of Azania; while Gavin Krastin explores what it means to be human in his“performance cabaret”,On Seeing Red and Other Fantasies.
EASTERN CAPE SHOWCASE:
Devised and compiled by the Eastern Cape Department of Sport, Recreation, Arts and Culture, this showcase comprises an indigenous music and dance ensemble, visual arts exhibition, a craft exhibition, as well as an Eastern Cape Provincial Arts and Culture Council theatre showcase.
The Film programme will explore limits of expression and liberty, and features, among many others, the work of Afrikaans screenwriter and director JansRautenbach, whose films (Die Kandidaat, Katrina) made in 1960s and 70s South Africa were seen as bravely critical of the apartheid government.
There are three family fare productions on the Main programme this year presented through collaborations between South Africa and international partners: True Confusion (Danish company ZeBU&ASSITEJ SA); Red Earth Revisited (SpeeltheaterHolland Studio &ASSITEJ SA), and Tea (Dutch performance company Poolse Vis & Twist Development Trust).
The Arena Programme hosts eight South African award-winning companies and three international works that have won fringe awards. Theatre productions grapple with controversial issues such as sexual identity (Horses Heads’ Similar To) and cultural divisions (Lentswe Art Projects’ Boy).Jori Snell captures a younger audience with her interactive installation The Paper Den, and KMAD examines the language of dance in Lyftaal. Joanna Wicherek presents the South African premiere of Poems – a recital of work by renowned Polish composers.
While the vibrant 400-production strong Fringe programme still has Theatre as its mainstay, there’s a bumper bunch of comedy (56 productions), physical theatre (41), poetry and storytelling (11), illusion (7), visual art (57 exhibitions) and dance (34) to shore up theopen-access platform this year.
Presented by third- and fourth-year performing arts students at 14 South African tertiary institutions: the universities of Cape Town, KwaZulu-Natal, Stellenbosch, Johannesburg, Wits, Rhodes; the Tshwane University of Technology; the Market Theatre Laboratory; Oakfields College;Durban University of Technology; AFDA; the Waterfront Theatre School; and City Varsity.
A series of debates and discussions will see South Africa’s thought leaders, trendsetters and provocateurs grappling with issues around satire and freedom of expression, secrecy and surveillance, non-racialism, and a range of other socially relevant themes.
A street parade and three public art productions, including Richard Antrobus’sSuggestion Box, which will see the performer trapped in a transparent box into which festival goers will be invited to post suggestions and comments about the Festival; and Francois Knoetser’s public art installation The Cape Mongo, which will challenge the viewer to rethink recyclable materials.
iol | Lara de Matos:
The arts are dying. Or, for the more fatalistically inclined, the arts as we once knew them are all but dead. This was my declaratory statement during an opening address, where I was asked to offer up my five minutes’ worth on the state of the arts in this country.
Minister of Arts and Culture Nathi Mthethwa at Chatsworth Youth Centre.
That the event was one designed to mark the inauguration – and by extension, a celebration – of an education facility dedicated to all things music, art, dance and drama could explain why this is probably not what the organisers were hoping to hear.
Sentimentality aside, however, the current state of our arts and culture institution, from a legislative perspective at any rate, does leave you wondering if we are butmoments away from hammering the final nail into the A&C’s coffin…
Read full article via source: http://www.iol.co.za/tonight/news/opinion/art-will-out-creativity-at-work-1.1834893#.VQ_GPeEnLgN
Mail & Guardian | Stefanie Jason:
Funda college has cultivated generations of black artists. But today it is a shadow of its former proud self, bedevilled by a lack of funding.
It’s been 12 years since the death of artist Nhlanhla Xaba inside the printmaking studio he cofounded in Newtown, Johannesburg.
Not many detailed reports can be found online about how he died in a fire on March?9 2003.
But an A5 pamphlet for a current posthumous exhibition paints a picture of him falling asleep on a couch in the Artist Proof Studio before “a suspected electric short from a kettle” caused the blaze, which ripped through the studio and killed him…
Read full article via source: http://mg.co.za/article/2015-03-19-funda-dark-days-for-iconic-soweto-art-school
Mail & Guardian | Stefanie Jason:
As art education institutions like Funda college and African Art Centre face financial turmoil, another organisation tells us how it has flourished.
Funda Community College in Soweto. (Oupa Nkosi, M&G)
“We are not going to sit down and die; there are too many people that are dependent on us,” Sharon Crampton says about the future of the African Art Centre, the KwaZulu-Natal nonprofit organisation she heads up.
In existence since 1959 and once guided by the late artist Jo Thorpe, the Durban centre offers development and training programmes to the province’s visual artists and crafters…
Read full article via source: http://mg.co.za/article/2015-03-19-the-ticket-to-survival-an-art-product-that-sells