Among the artworks currently on view at A4 Arts Foundation, a new multi-use arts space in Cape Town, is a so-called “instructional piece” by the Japanese artist Yoko Ono.
Visitors to the exhibition You & I, organised by artists Ziphozenkosi Dayile and Kemang wa Lehulere, are invited to mend broken pieces of crockery laid out on a table. The wonky binding agents – wood glue, thread, string and sticky tape – don’t inspire much hope.
This has not dissuaded visitors to A4, which is funded by the Kirsh Charitable Foundation, from having a go. Their eccentric handiwork is displayed on two shelving cabinets.
Mend Piece dates from 1966, the same year Ono met English singer-songwriter John Lennon at her exhibition London. The work is on loan from an art collection owned by Vancouver real estate mogul Bob Rennie.
Ono’s is not the only well-known international work on Dayile and Lehulere’s good-humoured show, which explores ideas of collectivity and includes work by Zanele Muholi, Santu Mofokeng and Moshekwa Langa.
In 1975, following a lecture at Harvard University, boxer Muhammad Ali was asked to improvise a poem. “Me/We,” he replied. In 2007, American artist Glenn Ligon created a neon sculpture quoting Ali.
Titled Give us a Poem (Palindrome #2), Ligon’s neon work is on permanent display in the atrium of the Studio Museum in Harlem, New York. The work on view at A4 is an authorised copy and was manufactured locally.
The leverage to borrow – intellectually, if not physically – important pieces by big name artists like Ono and Ligon is directly linked to A4’s patron, Wendy Fisher, the Potchefstroom-born daughter of billionaire businessman Nathan Kirsh.
London-based Fisher is a well-known patron. She is currently president of the trustees of the Solomon R. Guggenheim Foundation in New York. Fisher is also a major art collector. Read more