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Saturday 04: Editor's Choice: Financial Times: Making a scene about art (04 Sep 10)
By Emily Stokes Bruce High Quality was an artist who, like his hero Joseph Beuys, believed in art’s potential to transform society. Before his death in the September 11 attacks in 2001, his groundbreaking work as a “social sculptor” was balanced by a quieter, more introspective practice, interrogating the foundations of his own identity through self-portraiture. [more...] |
Saturday 04: Editor's Choice: Mahala: As Good As Real (04 Sep 10)
by Sean O'Toole If you look past the funky graphic interjections, mostly green, pink and orange dots, you’ll see that photographer Jason DeMarte’s work is situated in familiar territory. Like Hiroshi Sugimoto, Jo Ractliffe or Lien Botha before him, DeMarte, a US photographer currently showing at Cape Town’s Wessel Snyman Creative, likes taking photos of diorama scenes. [more...] |
SAAT | COLUMNIST : The Artful Viewer - Melvyn Minnaar (03 Sep 10)
Tuned to the ethical? The comical capers of the crooks involved in the real-life killing of Brett Kebble may have provided some absurdist amusement during the testimony in the ongoing murder trial. What it did not hide, was the real dark, even evil, underworld life of this sometime self-promoting patron of the arts. [more...] |
SAAT | COLUMNIST : The Art Cowboy - Peter Machen (02 Sep 10)
Janine Zagel is, among other things, the assistant of acclaimed sculptor Andries Botha. But you wouldn't necessarily know that from the scores of Botha-related mails she sends out through the cybersphere – she never signs or identifies herself as thus. You might instead conclude that she's some kind of discipline, imbued with the persistence and ubiquity of of a Reuters news feed. [more...] |
Tuesday 31: Press Release: Nominations open for new ImpACT Awards (31 Aug 10)
The Arts & Culture Trust (ACT) Awards are held annually in recognition and celebration of excellence in South African arts, culture and creativity. Four ImpACT Awards for Young Professionals, sponsored by the Distell Foundation, will be awarded to talented and emerging artists at a time in their careers when they have shown commitment to, and reached some professional standing in their chosen discipline. These prestigious Awards honour young professional artists that fall within the first three years of their professional careers. [more...] |
Friday 27: Opening Tonight: The Second Creative Photography Exhibition at Greatmore Studios, CT (27 Aug 10)
By Kate Greatmore Art Studios is proud to present its second Creative Photography Exhibition. The show is the product of a two week mentoring workshop that explored analogue photography using cameras supplied by Exposure Gallery. Exposure Gallery is a photographic concept store that prides itself in being a platform for photographic inspirational products, cutting edge photographic artists, and avant- garde photographic concepts. Retail items sold in the store include Lomographic cameras, a camera known for its inherent playfulness and spontaneity used as a springboard for creativity. [more...] |
Thursday 26: Applications open for Arts Fellowships (26 Aug 10)
Applications for the 2011 Donald Gordon Creative Arts Fellowships are open until 3 September. The Fellowships will be taken under the auspices of the University of Cape Town’s Gordon Institute for Performing and Creative Arts (GIPCA), an innovative institution promoting new interdisciplinary creative research in the disciplines of Music, Dance, Fine Art, Drama, Creative Writing, Film and New Media, and in particular collaborations among disciplines. [more...] |
Thursday 26: Opening Today: Kind of Blue by Sam Nhlengethwa at Goodman Gallery, Jhb (26 Aug 10)
n a solo exhibition of new drawings, prints and paintings at the Goodman Gallery in Johannesburg, SAM NHLENGETHWA pays homage to trumpeter and composer Miles Davis and celebrates the recent 50th anniversary of his groundbreaking album Kind of Blue. The record, which is universally known as one of the most influential and best-selling jazz albums of all time, has been as significant in South Africa as it has been everywhere else. [more...] |
Thursday 26: Editor's Choice: art21.org: William Kentridge: Anything Is Possible (26 Aug 10)
William Kentridge: Anything Is Possible is the first film produced by Art21 for national television broadcast outside of the biennial Art in the Twenty-First Century series. The film is also Art21’s first feature to focus on a single artist. The film intimately documents Kentridge’s working processes in a wide variety of media – from drawing and paper cutouts, film and performance, to staging the Shostakovich opera The Nose for its world premiere at the Metropolitan Opera. [more...] |
Wednesday 25: Editor's Choice: Tonight: UK artist exhibits in city (25 Aug 10)
Published on August 24, 2010. A solo exhibition by UK-based artist-activist Sandira Reddy, entitled All Shades of Brown, opened at artSPACE last night. Explains the artist: "The title of the exhibition describes the skin colour element that comes across in all the disciplines that I work in: graphic design, photography and fine art. The show will feature pieces from each area illustrating all the facets that make up me. [more...] |
Wednesday 25: Donald Gordon Creative Arts Fellowships 2011 – applications (25 Aug 10)
Applications for the 2011 Donald Gordon Creative Arts Fellowships are open until 3 September. The Fellowships will be taken under the auspices of the University of Cape Town’s Gordon Institute for Performing and Creative Arts (GIPCA), an innovative institution promoting new interdisciplinary creative research in the disciplines of Music, Dance, Fine Art, Drama, Creative Writing, Film and New Media, and in particular collaborations among disciplines. [more...] |
Press Release: An exciting line-up for the MTN New Contemporaries Arts Award 2010 (25 Aug 10)
As the excitement builds up towards the fifth MTN New Contemporaries Arts Award, the MTN SA Foundation is pleased to announce that the behind the scenes preparations are progressing at an exhilarating pace. Under the leadership of respected curator Nontobeko Ntombela, the four finalists are hard at work to showcase their new artworks that will be presented to the public on Tuesday 14 September at the KZNSA Gallery, Durban. As one of the younger generation of contemporary art specialists the young curator Ntombela brings to the role the requisite insight for selecting the four finalists, thereby determining the artistic direction of the competition. [more...] |
Monday 23: Opening Tonight: MINI ME, a collection of artist-created miniatures. AVA, CT. (23 Aug 10)
Opening Tonight at 6pm AVA’s ArtReach Fundraiser-MINI ME. This is the AVA’s annual call to artists to help raise funds for our ArtReach Fund. We always like to challenge contemporary artist to work in different ways. This year's theme is Mini Me. We are asking artists to donate miniature works. The tradition of miniatures is that they are exquisitely worked and often could fit in the palm of the hand. Miniature art has been made for thousands of years and is often prized by collectors. [more...] |
Thursday 19: Opening Today: Phive, a group exhibition. Platform on 18th, Pretoria. (19 Aug 10)
Five generations of artists, all trained and/or currently teaching at the Department of Fine and Applied Arts of the Tshwane University of Technology, are exhibiting together at Platform on 18th. The show, called PHIVE, hosts the work of Johann Nortje, who is a current student but who has exhibited extensively locally and abroad, as well as alumnus Sotiris Moldovanos, and three alumni who are currently teaching in the Department namely Dylan Graham, Carl Jeppe and Ariana van Heerden. [more...] |
Michael Coulson: SWELCO Johannesburg Sale Report back (19 Aug 10)
By Michael Coulson: It’s probably indicative of the lacklustre quality of the work on offer rather than a double dip in the market that Stephan Welz & Co (Swelco) sold only three of the 12 highest-estimate SA artworks at this week’s sale in Johannesburg, as lower down the scale results were somewhat better. And none of the top three beat the low estimate, if buyer’s premium and any other charges are deducted. [more...] |
Thursday 19: UN Art Competition Nominees Mary Sibande and Ransome Stanley (19 Aug 10)
Gallery MOMO is pleased to announce that artists Mary Sibande and Ransome Stanley have been nominated together with a select group of international artists to submit entries for the UN Campus in Bonn. This art competition was initiated by the UN and a selection of 24 artists from Europe, USA, South America, Asia and South Africa were invited to submit artworks for the new stairwell, atrium and wall in the foyer. Mary Sibande has the honor of being the only artist from the African continent and one of the few female artists selected to submit a design for the atrium. An international artist of note, Ransome Stanley, who is German by citizenship and has a Nigerian father, is submitting artwork for the wall in the foyer. Gallery MOMO is proud that these two artists have been recognized for their hard work and dedication to their art. Final artworks will be submitted by the 7th of September, 2010. [more...] |
Thursday 19: Having the last laugh – Cartooning in SA today (19 Aug 10)
Written by V.C.Wilkinson. Incisive wit combined with skilled technique - a lethal combination and essential prerequisite for successful political cartooning. Some of South Africa’s best political cartoonists presented their takes on reality and cartooning history at the Iziko South African National Gallery Annexe in July and August. [more...] |
Wednesday 18: Editor's Choice: Die Burger: Resensie: Sandra Hanekom (18 Aug 10)
Cobus van Bosch Sandra Hanekom iArt-galery,Wembley Square, Tuin Die gebrokenheid van die mens se bestaan teen die agtergrond van geestelike armoede en kerklike tirannie is ’n sentrale tema in hierdie nuwe reeks skilderye. Hier skil Sandra Hanekom enersyds ’n paar appeltjies met ou tradisies en andersyds bring sy daaraan hulde. Hoewel Hanekom spesifiek gemoeid is met die beklemmende invloed van streng kerklike dogma en voorskriftelikheid, en terselfdertyd geboei is deur Westerse visuele kuns se lang ver bintenis met die Christendom, is haar bykans fotorealistiese skilderye oop vir veel wyer ver tolking danksy enigmatiese komposisies van ’n uiteenlopende verskeidenheid van mense, diere en voorwerpe. [more...] |
Tuesday 17: Editor's Choice: Beeld: ‘Wette van geld’ praat hier (17 Aug 10)
Melvyn Minnar Afguns, ’n doodsonde, kan in kunskringe geniepsig wees. In die eensame woede wat die skilder Aaron Adendorff in sy kop en ateljee moet besweer, is dié jaloesie hoofsaaklik jeens die jonger, modieuse kunstenaars, soos verbeeld in Jimmy Harris. Dis ook oor die soort kuns wat, soos Jimmy sê, “bepaal word deur die laws of money”. [more...] |
Friday 13: Opening Tonight, Catch-2010, 38 Special Gallery, CT (13 Aug 10)
A new show opening Tonight, Friday 13 August at the 38 Special Gallery in downtown Cape Town is set to light up Cape Towns skyline at the end of the show, with artwork not being sold being burnt in the gutter outside. Jaime Vasquez, the show's curator is from from Mexico says that the show is a statement that artist put their hearts, and lives into making art and meaning for society, they sacrifice all for art, only to be dumped by it. [more...] |
Friday 13: Editor's Choice: Die Burger: Groot eer vir SA argitekte (13 Aug 10)
Bettie Lambrecht Die Kaapstadse argitek firma Noero Wolff ryg nou nog ’n kraletjie in hul string van prestasies die laaste paar jaar. Die firma, met aan die hoof die twee vennote, Jo Noero en Heinrich Wolff, is deur vyf ver skillende instansies, onafhanklik van mekaar, genooi om tussen nou en aanstaande jaar aan tentoonstellings en feeste op drie vaste lande deel te neem. [more...] |
Friday 13: Editor's Choice: Wall Street Journal: Ansel Adams And the Art World Name Game (13 Aug 10)
By Eric Felten This has been a summer of discovery. Every other week, it seems, someone has come forward with lost works of famous artists. At the beginning of July, curators at the Yale University Art Gallery announced that a battered canvas that had been gathering dust in the museum's basement for the better part of a century had been painted by a young Diego Velázquez, the greatest artist of the Spanish Baroque. A few weeks later, the Vatican's paper of record, L'Osservatore Romano, proclaimed that a painting that had languished in an obscure church in Rome appeared to be by none other than the early 17th century Italian master Caravaggio. [more...] |
Friday 13: Editor's Choice: Art Daily: MoMA Launches Free iPhone App, Now Available on App Store (13 Aug 10)
NEW YORK, NY.- The Museum of Modern Art today announces that the MoMA App is now available on the App Store. The new application for the iPhone and iPod touch provides users with instant access to 32,000 works of art in the Museum’s vast collection of modern and contemporary art; a dictionary of art terms and a database of artist bios; calendar information for exhibitions, film screenings, and events; and a variety of audio tours, including special tours for children, teens, and the visually impaired. [more...] |
Kirstenbosch Botanical Art Biennale 2010 focuses on rare and endangered species (11 Aug 10)
Now in its tenth year the established Kirstenbosch Botanical Art Biennale has become a well loved and attended show, drawing diverse and enthusiastic crowds to the gardens. The 2010 exhibition, the sixth since inception in 2000, will run from 5 to 24 September at the Old Mutual Conference Centre at Kirstenbosch and is sponsored by Old Mutual. The main focus this year will be on rare, endangered and narrow endemic species indigenous to southern Africa. [more...] |
Monday 09: Press release: Eyrie - Solo Exhibition by Cecilia Ferreira at Wessel Snyman Creative, CT. (09 Aug 10)
Monday 9 August sees the opening of our latest exhibition entitled "Eyrie" - A solo exhibition by Mozambique based artist Cecilia Ferreira. The central theme for Cecilia's work has always been the human figure, exploring the dark crevasses of the human psyche. "Eyrie" is no different! A powerful and expressive body of work, searching for the very meaning of human excistence.. Hauntingly expressive and more than a little unsettling, mixed media artwork that is certainly not to be missed! So join us at Wessel Snyman Creative on August the 9th, for a glass of wine and an explosion of imagery you won't forget anytime soon! [more...] |
Friday 06: If you don't buy our beauty, we'll burn it. Catch-2010: All Artwork that does not sell will be burned (08 Aug 10)
A new show opening on the Friday 13 August at the 38 Special Gallery in downtown Cape Town is set to light up Cape Towns skyline at the end of the show, with artwork not being sold being burnt in the gutter outside. Jaime Vasquez, the show's curator is from from Mexico says that the show is a statement that artist put their hearts, and lives into making art and meaning for society, they sacrifice all for art, only to be dumped by it. Vasquez went on to say that that “the fault of the artwork being destroyed is not the fault of the artists, but the fault of people who have money but do not buy art”. Whether their artwork gets sold is up to the public. [more...] |
Saturday 07: Editor's Choice: Beeld: ’n Hanger is nie nét dit (07 Aug 10)
Gordon Froud is dié week aan die beurt in “Kunskyk”, die rubriek waarin Suid-Afrikaanse kunstenaars die geleentheid kry om die werk van ’n ander kunstenaar te bespreek. Froud het die werk van die Britse kunstenaar Richard Wilson gekies. Gordon Froud is bekend as kunste?naar, kunsdosent, kunsbeoordelaar van talle kompetisies en kurator. [more...] |
Friday 06: Editor's Choice: Beeld: Die skep van kuns uit die gewone (06 Aug 10)
Bettie Lambrecht Die gevierde fotograaf Jodi Bieber het met Bettie Lambrecht gesels oor haar fotoboek van die kontemporêre Soweto en haar voorblad vir Time. Die Suid-Afrikaanse fotograaf Jodi Bieber se foto van ’n Afgaanse vrou sonder neus en ore op die nuustydskrif Time (9 Augustus) se voorblad ruk jou. Die Taliban het beveel haar gesig moet só geskend word. Dis glo haar straf omdat sy van haar gewelddadige man en skoonfamilie weggeloop het. [more...] |
Thursday 05: Editor's Choice: Die Burger: Droomkuns van Meintjes in Eikestad (05 Aug 10)
Liza Grobler Sasol-kunsmuseum, Stellenbosch Konteks is alles. Dit bepaal hoe kunstenaars dink, wat hulle skep en hoe daar terugskouend oor hul lewe en werke besin word. Die kunstenaar-skrywer Johannes Meintjes (1923–1980) het tydens sy lewe meer as 1 000 skilderye, talle beeldhou- en grafiese werke, asook 35 boeke geproduseer. Sy monografie oor die skilder Maggie Laubser verskyn reeds op 21-jarige leeftyd en op ongeveer dieselfde stadium word sy eie kuns gul deur die media ontvang; selfs die publiek reageer opti misties. [more...] |
Thursday 05: Editor's Choice: Beeld: ‘Bitterkomix’-visier op koloniale Afrika (05 Aug 10)
‘Bitterkomix’-visier op koloniale Afrika Cobus van Bosch Die skerpsnydende strokiesprente van Bitterkomix skok en onthuts Suid-Afrikaners nou reeds byna 20 jaar lank. Daarom sou ’n mens kon dink dat die genadelose voorhamer-tegnieke waarmee Bitterkomix se skeppers, Anton Kannemeyer en Conrad Botes, veral wit kleingeestigheid en bekrompenheid teenoor ras en moraliteit aan die kaak stel, teen dié tyd heelwat trefkrag verloor het. [more...] |
Thursday 05: Press Release: Opening Tonight, Furies by Penny Siopis at Brodie/Stevenson, Jhb. (05 Aug 10)
Penny Siopis’ latest exhibition, Furies, comprises new paintings and a video installation. In the first she continues to explore the powers and possibilities of contemporary painting, working the vital energies that shape the relationship between materiality and figuration, surface and sensation, in strongly associative ways. Siopis writes: I am still excited and driven by the challenge materiality poses for depiction. Much of the sense and sensation in the paintings is embedded in the material itself: what floats, floods, flares, falls and fixes somewhere on the edge of form or formlessness. I am fascinated by the strangeness and openness of this process, which is intensified in the way I use my medium, viscous glue and liquid ink – a sort of choreography of chance and control. [more...] |
Thursday 05: Press Release: Opening Tonight, Obie Oberholzer's (05 Aug 10)
Diesel & Dust – Selected works by Obie Oberholzer. Opening Tonight, Thursday 5th August at 6:30pm – 12 September 2010. Tickets will be available at the gallery at R50.00 per person. There is a limit of 150 tickets for the evening on Thursday 5 August at 18h30. The evening will include a light meal, wine and fruit juice. A walk about and book signing by Obie Oberholzer in person where he will discuss his method of working. The ticket holder will also be entered into a draw to win one of Obie’s latest books. All works on exhibition will be for sale. [more...] |
Thursday 05: Press Release: Opening Tonight, Project 008: Lunga Kama at Brodie/Stevenson, Jhb. (05 Aug 10)
Brodie/Stevenson is pleased to present two new bodies of work by Lunga Kama. Kama’s new colour self-portrait, titled Ze (Xhosa for ‘nude’), comprises four separate panels and continues the artist’s investigations into imaging black masculinity. Specifically, Kama is interested in how aspects of sexuality and self-reflexivity are made manifest through representations of the physical body. Through these images Kama explores how all modes of subjectivity, including his own, carry within them aspects of the performative. [more...] |
Thursday 05: Editor's Choice: The Art Newspaper: Virgin unveiled after acid attack (05 Aug 10)
Exhibition in Dresden reunites Dürer painting with altarpiece following a 21-year restoration By Martin Bailey LONDON. A panel from Dürer’s first major altarpiece has been restored after a 21-year treatment following a devastating acid attack in Munich. The Virgin of Sorrows has been unveiled in Dresden, where it was reunited with the rest of the altarpiece of the Seven Sorrows for the first time in nearly five centuries. [more...] |
Thursday 05: Press Release: Opening Tonight, We/Edition at These Four Walls, CT. (05 Aug 10)
Opening Tonight at 6:30pm. ‘These four walls gallery’ in observatory is hosting an exhibition of print work by young artists. The show is called We/Edition. ‘We’ are not affiliated with Warren Editions. ‘We’ are not necessarily affiliated with anything, or rather; the show is not the product of a singe entity. ‘We’ all know each other well, have worked together before, are connected in a number of ways – but in this instance, are simply exhibiting together. The standard against which ‘We’ all worked was Printmaking. ‘We’ do not all consider ourselves to be printmakers, but acknowledge the place this ubiquitous medium has in our various practises. The work exhibited is all new - none of it has been exhibited before - some of it prompted specifically by, and made for the show. It’s a reflection (an impression), through print, of where ‘We’ all are. [more...] |
Ore Gallery's short, but bitter sweet history (04 Aug 10)
The Ore Gallery that opened last month in Observatory has closed its doors. It seems that the problem is not so much a cash flow one, but a combination of early over spending and in-house fighting by it's co-directors. There has been the implication that the gallery's co-director, Caitlin Hood was too generous, from paying for the artists' framing to installing a magnetic hanging system that cost more than R 150 000, which was developed by the gallery's co-owner. Alleged in-house fighting between both co-owners split the partnership further. [more...] |
Tuesday 03: Editor's Choice: Mail & Guardian: From the house on Douglas Lane (03 Aug 10)
By Nechama Brodie This is not where the story begins, but it is where I'll begin: 1949 in the Grey Street complex, Durban -- the area also known as Coolie Town or the Casbah. It is the year of the Durban riots, when 142 people will lose their lives in a weekend of violence. Omar Badsha is four years old. On a Friday afternoon after mosque, a brick is thrown through the window of Badsha's house on Douglas Lane. It is the house where Badsha’s family has lived since 1917. In the backyard of the house is an umdoni tree, planted by Badsha's grandmother. [more...] |
Tuesday 03: Editor's Choice: Art Daily: 100 Life-Size Cast Iron Figures by Antony Gormley Installed by Helicopter in the Austrian Alps (03 Aug 10)
LECH-OBERLECH.- On Saturday 31 July, the hundredth figure by leading British sculptor, Antony Gormley was lowered into place by helicopter to launch the artist’s unique installation, Horizon Field, in the mountains of Vorarlberg in Austria, presented in association with the Kunsthaus Bregenz. Horizon Field features 100 life-size cast iron figures installed over an area of 150 square kilometres. It is the first art project of its kind in the mountains and the largest landscape intervention in Austria to date. The works will remain in the Alps for two years during which time they will be exposed to the elements, to different lighting conditions, and to the changing seasons, thus enabling constantly new perceptions and impressions. [more...] |
Monday 02: Press Release: Opening 05 August:‘A World Without Collisions’ by Nicola Taylor at Everard Read Gallery, Jhb. (02 Aug 10)
Nicola Taylor – A World without Collisions. Nicola Taylor is a talented young painter with vibrant and captivating work inspired both by busy Johannesburg and the Tsitsikamma rainforests, creating a duality of two forests that lay thousands of kilometers apart. Situated in a Fordsburg studio, with a breathtaking view of the majestic city skyline, the artist is surrounded by enormous flocks of pigeons and the interesting local characters that inspire her daily. With striking portraits and detailed depictions of her surroundings, Taylor works mainly in the medium of oil painting. [more...] |
Friday 30: Editor's Choice: BBC News: Family of art collector sues Hungary over Nazi loot (30 Jul 10)
The heirs of a Jewish art collector are suing the Hungarian government for the return of paintings worth more than $100m (£64.1m) seized in World War II. The case, filed in Washington by Baron Mor Lipot Herzog's family, follows a failed battle in Hungarian courts. The family, who are also suing state-owned museums, say Hungary has about 40 works, including paintings by El Greco. Herzog left the collection to his children when he died in 1934 before it was plundered by the Nazis. [more...] |
Friday 30: Editor's Choice: The Economist: Brothers in exile (30 Jul 10)
Ramin and Rokni Haerizadeh on making art about sex and politics in the Middle East. RAMIN and Rokni Haerizadeh, two Iranian artists exiled in Dubai, fled their homeland in spring 2009. Iranian officials became aware of their work when it was included in Charles Saatchi's exhibition, “Unveiled: New Art from the Middle East”. [more...] |
Friday 30: Editor's Choice: Weekend Post: Gifted turner magically unlocks beauty of wood (30 Jul 10)
TURNING POINT, at the Lower Gallery EPSAC, until July 31. Reviewed by Cornelia le Roux THIS wonderfully versatile exhibition is professional wood turner and artist Nico Swart’s fifth since starting to uncover the beauty of wood on his lathe in 1994. As evidence of the widespread popularity of his work, he exhibited On the Count of Twelve in the William Humphreys Art Gallery in Kimberley and in 2007 one of his turned vases was awarded the Dave MacGregor Trophy at Epsac’s annual exhibition. [more...] |
Thursday: Press Release: Art Exhibition / One-Night Event: ‘The Big Hole’ at the Kimberley Hotel (29 Jul 10)
Curated by Catherine Ocholla : Mavericks, provocateurs and household names in the contemporary South African artscape will take over one of Cape Town’s most historical watering holes, the Kimberley Hotel, on Wednesday the 11th of August, in a madcap art exhibition, party and cultural response to the local of many of Cape Town’s most creative individuals. ‘The Big Hole’ provides an opportunity for artists to investigate the sometimes murky legends circulating around the Kimberley, as well as some of the various South African histories ingrained in the site. [more...] |
Tuesday 27: Charles Shields and David Tripp of Cape Town's Everard Read Gallery (28 Jul 10)
Hazel Friedman If sport is the opiate of the masses then culture is their social currency. And if there are any lessons to be learnt from football, it is that the team which cannot adapt, falls; and that one must always keep an eye on the ball. So what does this Fifa-esque homily have to do with the successful operation of an art gallery? On a prima facie basis, not much, apart from the fact that at the Everard Read Gallery in Cape Town the polite tones so typical of the sanctified art spaces are being violated by the collective trumpet of the vuvuzela brigade outside. [more...] |
Wednesday 28: Editor's Choice: Beeld: Kollig op Maqhubela (28 Jul 10)
Johan Myburg AVigil of Departure is die titel van die oorsiguitstalling van die werk van Louis Maqhubela wat volgende week in die Standard Bank-galery in Johannesburg begin. Marilyn Martin is die kurator van dié uitstalling wat Maqhubela se rol in en bydrae tot Suid-Afrikaanse kuns ondersoek. Die werke op die uitstalling is gemaak tussen 1960 en 2010. Maqhubela het sedert sy vertrek na die buiteland in 1973 nie die erkenning in sy vaderland gekry wat hom toekom nie. [more...] |
Wednesday 28: 2010 Absa L’Atelier Art Awards’ winners (28 Jul 10)
South Africa’s young artists have once again proved their mettle in a sterling display of homegrown creativity in the prestigious Absa L’Atelier Art Awards competition, which this year celebrates its historic 25th year anniversary as the longest-running competition of its kind on the continent. Unlike the previous years, this year’s pool of submissions was undoubtedly about identity and how they experience the country we are living in. Much of the selected work seems to have subversive strategies, not in loud and shocking ways, but rather in strangely guarded tones. [more...] |
Tuesday 27: Opening Today, reGeneration 2- Tomorrow’s Photographers Today. Michaelis Galleries, CT (27 Jul 10)
What are young photographers up to in the twenty-first century? How do they see the world? How much do they respect, build on or reject tradition? As the digital revolution continues its relentless advance, demolishing longstanding practices in every domain of our field, curiosity builds as to how the new generation of photographers will react. Will some remain in the darkroom, or will they all migrate to the digital lab? The reGeneration project—the broadest and most enterprising survey of its kind—set out in 2005 to discover answers to these intriguing questions, previewing the work of young photographers who may well emerge as some of the finest artists of their generation. [more...] |
Tuesday 27: Editor's Choice: Bloomberg: Femme Fatale Makes $2 Million, Handbag $65,000 as Auctions Buzz (27 Jul 10)
By Scott Reyburn A U.S. collector paid a record $2 million for a Edvard Munch print of a doomed femme fatale, and a Russian gave $65,000 for a crocodile handbag in auctions this month as top works attracted wealthy buyers. Asian collectors also set the pace at auctions of wine and English silver in London that followed sales of Impressionist and contemporary art where billionaires remained selective. Choosy collectors are looking for signs of a market recovery. Buyers are only willing to pay the largest sums for the best works as sellers push up estimates again and test demand, dealers said. [more...] |
Tuesday 27: Editor's Choice: The Weekend Post: Multimedia art deals with ‘issues’ (27 Jul 10)
by Kin Bentley HOW have colonialism, globalisation and the exploitation of natural resources impacted on South Africa and the rest of Africa? This issue is explored in a “multimedia art experience” by Standard Bank Young Artist Award winner for Visual Art 2010 Michael McGarry in his exhibition, EndGame, which runs at the Nelson Mandela Metropolitan Art Museum from Wednesday until September 5. The exhibition comes directly from the National Arts Festival in Grahamstown. Art Museum spokesman Pam Fogarty said artist Stephen Hobbs will visit Port Elizabeth to open the exhibition at 6pm on July 28. [more...] |
SA Art Times exclusive interview with Dylan Lewis (27 Jul 10)
Steve Kretzmann: If there was any doubt that contemporary South African sculpture could hold its own in the international art market, it was blown out of the water by the spectacular prices Dylan Lewis’s works fetched at Christies three years ago. A 2007 auction of 75 bronze sculptures of wild cats and animals by the Stellenbosch-based artist sold out, fetching an astonishing R28 million in 90 minutes, an achievement that made the art world sit up and take new notice of a sculptor who might have been derided by critics as little more than a wildlife artist with an interesting technique. But whatever purists might have had to say, the public pockets applauded the way his rough, masculine, raw application of clay translated in bronze and complemented the way he seems to sometimes defy the laws of physics to freeze the kinetic energy contained in the movement of his beasts. Though he is among the most sought-after sculptors in South Africa and abroad, he is rather modest about it. “I’ve been fortunate to have ‘some’ success,” he says. [more...] |
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