Subject:
Get to know the creative minds behind Monna Ke Nku✍
From:
The Viewing Room Art Gallery <art@stlorient.co.za>
Date:
2025/04/11, 13:01
To:
<editor@arttimes.co.za>

Get to know the creative minds behind Monna Ke Nku✍️
͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌     ͏ ‌    ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­
 ͏  ͏  ͏  ͏ ͏  ͏  ͏  ͏ ͏  ͏  ͏  ͏ ͏  ͏  ͏  ͏ ͏  ͏  ͏  ͏ ͏  ͏  ͏  ͏

Get to Know the Creative Minds Behind                     “Monna Ke Nku…”

Hailing from Kgabalatsane in the North West, Kgafela Loate is a visual art graduate from UNISA whose creative journey began at the age of 10 as a self-taught artist. Initially working with graphite, he later explored charcoal, acrylics, and watercolours, before finding his distinctive voice through stylized art and intricate scribble drawings—often created using pen.


Growing up in an underdeveloped environment where many abandoned their gifts and potential, Kgafela turned to art as a means of survival and self-expression. In confronting the mental and emotional void around him, he channeled his energy into creating as a way to navigate and cope with mental health challenges.


His work delves into the complexities of mental dissonance and interior monologue, using visual language to articulate the often-overlooked struggles within the mind.

              Kgafela Loate

  • Blind Shepherd

  • 2025

  • Rollerball pen

  • Size: 59.6 x 42 centimeters

Chevy Noir (b. 1997, Johannesburg) is a contemporary expressionist artist whose practice spans painting, printmaking, and animation. After earning a National Diploma in Financial Services Operations from the University of Johannesburg in 2018 and working in the transport industry, he later pursued his artistic path, graduating from Artist Proof Studios in 2024.


His work explores identity, transformation, and the metaphysical, blending symbolic imagery with mythological and psychological references. Central to his visual language are recurring motifs like leaping figures, cows, and spiders—representing dream spirits, the animus, and the shadow, respectively. Drawing from Jungian theory, African folklore, and personal narrative, Chevy creates layered works that reflect the tension between creation and destruction, conscious and unconscious.


Notable exhibitions include On Common Ground (2022), Tales of Our City (2023), and Where You Are (2024), with features at the Investec Cape Town Art Fair, RMB Latitudes, and Red Fest Art Exhibition. He has also collaborated with Converse and Yamoria Sunset at the Joburg Theatre (2024). Through his evolving practice, Chevy invites viewers to reflect on life's spiritual and psychological journey.

              Chevy Noir

  • The Mundane-The Creations Efficacy

  • 2025

  • Guouche & Embossing on Fabriano

  • Size: Sheet Size: 50 x 34 centimeters

Nkomene Hlongwane is a visual multimedia artist from Vaalbank, Mpumalanga, known for his diverse practice that includes drawing, needlework, and collage. He holds a degree in Visual Multimedia Arts from UNISA and has participated in several group exhibitions, including the Emerge Graduate Showcase (2023), SASOL New Signatures (2024), and the Proximity UNISA staff exhibition (2024).


Hlongwane’s distinctive style blends detailed charcoal and pen drawings with tapestry—a medium deeply rooted in his Tsonga heritage. This fusion, often enriched with collage and painting, serves as both a creative expression and a reflection of cultural identity. He is currently working as a full-time professional artist, continuing to explore the intersection of tradition and contemporary art.

Nkomene Hlongwane

Bobotse ba Monna ke Potla The beauty of a man it is his pocket

Wool

1 of 1

Size: 17.5 x 48 centimeters

Lord Strider Exhibition Opening Performances

Mangala Mangala, also known as Lord Strider, is a dynamic multidisciplinary artist whose work spans theatre, poetry, rap, breakdance, and traditional African dance. Rooted in a belief in art as a tool for unity and transformation, his creative practice blends cultural storytelling with themes of freedom, resilience, and social empowerment.


At our exhibition opening, Mangala delivered a powerful performance that transformed the event into something truly special—infusing the space with energy, emotion, and meaning. His presence elevated the experience, leaving a lasting impact on everyone in attendance.


Beyond the stage, he is a mentor and advocate for youth, using workshops and community programs to inspire the next generation. Through his vibrant artistic voice, Lord Strider continues to challenge boundaries, celebrate heritage, and spark meaningful change.

Floral Reflections on current affairs.  Floral illusions : The art of non-existence.

Due to overwhelming public interest, the exhibition has been extended!


"Floral Illusions: The Art of Non-Existence" delves into the delicate intersection of art, nature, and genetic modification. This thought-provoking exhibition invites visitors to imagine and create fictional flowers, raising compelling questions: Are we truly enhancing nature through genetic manipulation? What motivates our desire to alter the natural world's inherent beauty? And what are the consequences—ethical, environmental, and societal—of such interventions? Through these imaginative creations, the exhibition sparks a deeper conversation about the tension between human innovation and the need to preserve the natural world.


"Floral Reflections on Current Affairs" invites artists to use the symbolic power of flowers to engage with today’s most pressing societal issues. Through a variety of artistic mediums, creators explore themes ranging from environmental challenges and climate change to social justice, political activism, and cultural transformation. This exhibition provides a platform for dialogue and reflection, encouraging viewers to see flowers not only as symbols of beauty, but also as vessels for meaningful commentary on the world we live in.

Anina Deetlefs

Slay

2025

Plexiglass print

Size: Image Size: 80 x 60 centimeters

              Justin Bergh

  • Flower Cryogenic Pod Life Extension: Queen Of The Night Flower

  • 2025

  • multimedia sculpture, polymer clay, aluminium

  • 1 of 1

               Will Roux

  • Papilio Venenata Venomous Butterfly Gold Butterfly

  • 2025

  • AI digital, edition print with hand-embroidery and crystal

  • Size: 17x30cm image size