Sean O’Hagan: The Guardian
When I first started out, photography was very male and not really considered art,” says Hannah Starkey. “I didn’t set out to have a feminist agenda, it was more that my interest in making work about women comes from the simple fact that I am one. That commonality of experience is at the heart of what I do as an artist.”
Now 47, Starkey has been making images of ordinary women for more than 20 years, her complex, cleverly choreographed portraits blurring the lines between portraiture, documentary and staging. A new book, Photographs 1997-2017, is a selective survey of an artistic career that started in spectacular fashion when her MA show in 1998 caused quite a stir in the London art world and has since settled into a quiet, consistently attentive exploration of female experience that also implicitly questions how women are represented elsewhere in our profligate image culture. …Read More
Pictured:Untitled, May 1997. All images courtesy of Hannah Starkey and Mack.