It started happening in 2019. Pippa Skotnes would be sitting at her computer and an email would arrive from someone asking her to verify whether an artwork seemingly produced by her late father, world-renowned artist Cecil Skotnes, was really his work.

This, in itself, wasn’t unusual. What was out of the ordinary was that the artworks in question were not ones that were recognisable to Pippa Skotnes — unquestionably the world expert on her father’s oeuvre, and herself an artist and curator of distinction.

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